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Art & Design

Contemporary Art

Art & Design

Browse contemporary art recommendations from people with great taste on Rec League — the whisper network for great recs.

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Buy Art from Living Artists

Buy Art from Living Artists

Buying art has been made elusive by a largely inaccessible gallery system. Here are a few ways to buy art from living artists: The most common, expensive, yet vetted route is to go to a gallery, follow their program, and buy work from the gallery. Gallerists take a hefty split, so artists get a fraction of the sale. Typically, you can ask for a discount (it's almost performative), and they will usually give you a 20% discount because it was already built into the price. Depending on the gallery and the work, you may have to prove that your collection is worthy, but this is only for blue-chip (i.e., famous) artists. If you develop a longer term relationship with a gallery, they will often give collectors previews of shows and other insider baseball perks that are sometimes useful, sometimes just weirdly entertaining. Go to an MFA show or a project space, talk to the artists, get to know their work, and they will likely give you a deal or set up a payment plan to make the work more affordable. Most artists want their work in the hands of people who love it and will care for it. Most of us also need money pretty desperately right now. Most of us are willing to work with people who care about our practice. Research past shows of artists in your area or nearby and reach out to them to set up a studio visit or a coffee. Unless they have representation (which means you'd have to go through their gallery, and their work will be more expensive), you can buy work directly out of the studio. This is taboo to gallerists, but artists do it all the time, and it helps us out a lot both financially and in building relationships with engaged collectors. If you go through any of these tracks, please be respectful of the artists time and genuine in your connection to their practice. Be transparent about your budget so artists and/or gallerists can work with you. Or if you aren't ready to buy yet, be transparent about that and clear that you'd like to get to know them + their work for a while. Not assuming you wouldn't, but it's worth saying because not everyone understands the pressures placed on the time and resources of living artists, especially if they are marginalized in any way. So, generally be considerate, transparent, and thoughtful when engaging. Lastly, know that the best "return on your investment" is living with art that you love (and can likely pass on), that you helped to sustain and support living artist(s), and that you didn't settle for an unsatisfying facsimile. Here's a link to the documentary about Herb and Dorothy made by Megumi Sasaki. The film shows how working-class folks amassed a really impressive art collection over their lifetimes with a little passion and a postal worker's salary.

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Materializing Boundaries : background, an exercise, an artwork, and a book

Materializing Boundaries : background, an exercise, an artwork, and a book

Background: This weekend, I almost walked out of a somatic workshop. A group of ten strangers and I were instructed to use a piece of string to create a boundary to encircle our bodies on the floor. In my bodymind, I jumped to judgment (e.g., "this is cheesy and embarrassing") to fear (e.g., "I don't think I can do this without freezing or shutting down"). In the parlance of the doula, I leaned into the "uncomfortable yes" and proceeded to select the least obtrusive string I could find. While pulling out a skein, my partner from previous exercises announced they were looking for a partner. It's cool, they probably wanted a change. But I was suddenly embarrassed. I had to then meekly announce that I was also looking for a partner. A very kind person approached me and asked if I wanted to join their group of two. I said, "yes, thank you." (Another "uncomfortable yes.") More fear. My partners were now: one straight cis man and one gender spectrumy person who later identified themself as a cis man with caveats. These were the last two people I would have chosen in the gallery, not because of who they were but because of my own complex relationship to gender and cis men. I didn't feel that I could actually do this exercise with these warm people because of my own trauma. And then, something resplendent happened: both people coached me through my boundary with more compassion, awareness, and curiosity than I've ever received in relation to my body in my life. I made a boundary that was much smaller than I wanted because I felt that I needed to accommodate them. I did not want them to touch the boundary or help me arrange the string. Intuitively, both partners felt this tension, and they stood farther back from the boundary than the yarn circle I had created on the floor. They asked, "It seems like your boundary actually needs to be MUCH bigger than you made it?" Apologetically, I replied, "It feels selfish to make it bigger." And one of the partners compassionately echoed, "It feels selfish to actually have the amount of space that you NEED?" "Yes," I teared up. Together, they used their bundles of string to make a new boundary for me, with my instructions. It wasn't even the same shape; my new boundary was a satisfying, thick line of string across a small room that my partners made for me. I was finally, comfortably enveloped. Artwork and any more-than-human entities were allowed inside the boundary; humans were not, at least in that moment. My partners asked me questions about my experience in the world (of overwhelm, of compression) and listened thoughtfully to the answers. Attentively, they asked follow-up questions. The more we talked, and I felt heard, the closer I moved towards them. At the end of the exercise, they asked me how I wanted to disassemble my boundary; I asked if we could do it together, while expressing deep gratitude for their presence and care. I wasn't scared of them anymore. And it made me feel sad that it took so long to get here. It was so healing to have two men be kind to me, to ask me questions, to listen to the answers, to ask follow-up questions, to center my experience, and to truly care about how I felt. Which is why I'm sharing this exercise with you, in case you'd like to see what it might reveal. Exercise: Working with a trusted therapist or doula might be a good place to start if you are scared. Ask a friend, partner, therapist, doula, or stranger whom you can trust if they would like to do this exercise with you. Use a piece of string to draw a shape around yourself on the floor, establishing your boundary. Coach your partner: can they enter the boundary? Where in relation to the boundary should they stand? Your partner can ask you questions about your boundary. And they can refuse; everyone gets consent. Then switch places to repeat the exercise. Artwork: Francis Alÿs, "Green Line." (See link for more context; it's a more sociopolitical and poetic meditation on a boundary, but worth thinking about nonetheless.) Book: Set Boundaries, Find Peace by Nedra Glover Tawwab. (I read this when it was first released and gleaned a lot from Nedra's work. I think doing this physical exercise helped me to understand more about my relationship to boundaries spatially and in regard to my body. The way I was thinking about boundaries and Nedra's work was more linguistic before. It's likely time to revisit!)

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