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The Mushroom at the End of the World by Anna Lowenhaupt Tsing

The Mushroom at the End of the World by Anna Lowenhaupt Tsing

One of the very, very best books about mushrooms, but also the world as we know it. I’ve read it several times now (it was a big part of my thinking when I was making the mushroom magazine), and each time is like taking a giant hit of oxygen—I come away woozy, exhilarated, a little disoriented, and full of the sense that big, exciting ideas are lurking just beyond the places my mind can reach. Tsing is an anthropologist interested in commodity chains—how materials and labor are extracted and processed through human interactions into that deadly, glittering substance, capital. In this book, she follows matsutake—a mushroom that thrives in “disturbed” forests, places where trees have been cut and harvested—from sites in the Pacific Northwest where it is foraged by an unlikely group of immigrants from an array of South Asian communities, veterans, and other folks living on the margins of society, through the hands of brokers and dealers to Japan, where it is purchased to become a gift. Tsing calls this process “salvage accumulation”: "… living things made within ecological processes are coopted for the concentration of wealth. This is what I call “salvage,” that is, taking advantage of value produced without capitalist control. … “Salvage accumulation” is the process through which lead firms amass capital without controlling the conditions under which commodities are produced." (Once you start thinking of “salvage accumulation, you see it everywhere, not least in influencers who leverage the gift of attention into a saleable good or, ahem, everything AI, but that is rant for another day, lol.) As she traces the manifold ramifications of the matsutake trade, Tsing explores what it means to look carefully, broadening the lens of what belongs in this story beyond human actions to respectfully engage with living realities of the landscapes involved and the mushroom itself. Entanglement, indeterminacy, precarity, salvage, capitalism, assemblage, and freedom are key themes here, and the last time I read it, my attention snagged hard on the idea of assemblage. We live in a time where a lot of voices are raised claiming that “community” is the fix for what ails us, but I think community is maybe too much to ask for. Understanding that we exist in assemblages is perhaps a more honest place to start: "The question of how the varied species in an assemblage influence each other—if at all—is never settled: some thwart (or eat) each other; others work together to make life possible; still others just happen to find themselves in the same place. Assemblages are open-ended gatherings. … They show us potential histories in the making."

Lida Richardson logoLida Richardson
Chambered Nautilus

Chambered Nautilus

I have to begin by saying that when I was in middle school I made a powerpoint presentation called Marvelous Mollusks, and I would truly do anything to find it. Unfortunately, I have the full text of the book I wrote when I was 12-13 (bad), but not Marvelous Mollusks. It was in a time of my life where I was really into adding power point animations, where you could like make a mollusk wiggle across the screen, and I have a strong sense that I overdid it. ANYWAY, I remember liking this guy, so here we go! Are you kidding me with that face? (Photo is from California Academy of Sciences) Like horseshoe crabs, they are considered “living fossils,” because they’ve been around forever (California Academy of Sciences says ~500 million years, but I didn’t see that number anywhere else), and they haven’t done too much changing. They’re cephalopods, like octopuses and squids. Their bodies are really fascinating for a whole lot of reasons. They’re famous for their mother-of-pearl shells, which they grow over the course of their lives. From California Academy of Sciences: “The nautilus literally builds itself a home as it grows, adding new internal chambers in a spiral pattern while always occupying the outermost one.” They make me think of hermit crabs, but instead of finding new shells, they build them, moving steadily outward.  Even more interesting to me: they move around using a “hyponome”(NOAA fisheries calls it a sort of “siphon tube”), which lets them move around water and gas in their chambers, affecting their buoyancy. A blog entry from the National Marine Sanctuary Foundation says this is similar to how submarines work. They can also use the hyponome for a kind of “jet propulsion.” Here’s a video from the Monterey Bay Aquarium where you see one kinda floating around: They live around 20 years, and they don’t reach maturity until they’re 10 or 15 (late bloomer alert), which is part of what makes them “particularly vulnerable to overfishing,” according to NOAA (they’re classified as threatened). They have limited eyesight but use “chemosensors” on their tentacles to smell food. They have over 90 tentacles.  Here’s another video from NOAA fisheries using underwater cameras. There’s a moment in the video where a fish tries to bite one, at which point I screamed, “Hey!” They’re also interacting with each other; I can’t tell if they’re fighting or having sex (none of my business).  https://videos.fisheries.noaa.gov/detail/videos/shellfish-other-invertebrates/video/3814028058001/nautilus-surveys-with-remote-underwater-cameras?autoStart=true I know I’m talking a LOT, but there’s also a famous poem by Oliver Wendell Holmes Sr. that uses the nautilus’s outward expansion as a metaphor for the human soul. I found a 1938 journal article from American Literature by Nelson F. Adkins on JSTOR (why not) that points out that this use of an animal/ object in nature as a metaphor and tool for “moral instruction” reflects deist principles, which I thought was interesting, since we read The Age of Reason in my last class. 

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