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Browse literary fiction recommendations from people with great taste on Rec League — the whisper network for great recs.

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Versailles by Kathryn Davis

Versailles by Kathryn Davis

Kathryn Davis' Versailles is a history of a person (Marie Antoinette) but also a place, mostly told from Marie Antionette's first-person perspective: "After Léonard took off the curling papers, he frizzed my hair with a hot iron, combed it out with nettle juice, powdered it with bean flour, then mounted a ladder in order to affix the horsehair cushion that would form the armature for the final hairdo. Cypresses and black marigolds and wheat sheaves and fruit-filled cornucopias—a hairdo reminding everyone that while they mourned the loss of one king, they also looked forward to the bounty the next would bring. Or how about the Inoculation hairdo, commemorating the Princes's victory over smallpox? One day Léonard made me Minerva. One day he made me an English garden with lawns, hills, and streams. One day he made me the world. Really, you could put anything on your head .. so long as it didn't (excuse me) snap your neck.  Léonard used long steel pins to hold the cushion in place and combed my own hair up over it. Then he matted everything down with pomade, creating a kind of moist hive under which fleas and lice bred, and soon enough there wasn't a fashionable lady alive who wasn't using a long thin stick identical to the one Léonard made for me, complete with a little ivory claw, to scratch away at her scalp like mad."   There are also dramatic interludes structured like one acts with chatty lap dogs and ladies-in-waiting; appearances by Bread, personified; discussions of how the grounds are planted; and servants doomed to die from pox. It's like the marvelous eccentric aunt of Danielle Dutton's gemlike and glittery Margaret the First.

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The Housekeeper and the Professor by Yoko Ogawa

The Housekeeper and the Professor by Yoko Ogawa

A story about numbers creating a pathway to something incalculable. The housekeeper and her ten-year-old son are drawn to the housekeeper’s latest client—a mathematics professor whose short-term memory lasts only 80 minutes. His love of numbers illuminates the world in ways the housekeeper and her son unexpectedly find irresistible, as they are beguiled by primes and the elegance of factorials, and the deep kindness and courtesy of the professor himself. (Charmingly, the Professor calls the boy “Root” because his square head reminds him of the square root symbol.) This is a beautiful, beautiful idiosyncratic book, a pure pleasure to read, even if the kid-level math problems sometimes tripped me up. Ogawa’s interest in memory fascinates me; another book of hers I’ve read, THE MEMORY POLICE, is even more intensely focused on the ways memory, and its loss, make and unmake the world. (It was one of the three books that seemed to me to capture how I experienced the pandemic, along with Susanna Clarke’s PIRANESI and Marlen Haushofer’s THE WALL.) "I looked at the Professor’s note again. A number that cycled on forever and another vague figure that never revealed its true nature now traced a short and elegant trajectory to a single point. Though there was no circle in evidence, π had descended from somewhere to join hands with e. There they rested, slumped against each other, and it only remained for a human being to add 1, and the world suddenly changed. Everything resolved into nothing, zero.  Euler’s formula shone like a shooting star in the night sky, or like a line of poetry carved on the wall of a dark cave. I slipped the Professor’s note into my wallet, strangely moved by the beauty of those few symbols."

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