Lines 10 (circa 1990)

“I have been a certified Anton Perich truther ever since he allowed me to screen one of his unreleased films at my thesis exhibition. In addition to being the greatest documentarian of the debaucherous NYC underground in the 70s, he also developed a technique of "machine painting" that predated inkjet printers. He's used it for xerox-effect portraits like this, and magical abstractions.”