Steven WeillFirst to rec
“Soundtracking moments in the first, third, seventh episodes and the (absolutely bonkers) final moments of the finale, Alice Coltrane's ethereal epic is a stunning fit for the Lynchian and culturally/spirituality/socio-economically labyrinthian world of The Curse.
Alice's music is neither happy nor sad, it is simply deep and contemplative. It opens up endless possibilities. It can be an ever shifting canvas for the viewer to project whatever feelings held upon it — fear, anticipation, anxiety, calmness — and almost always they are faced with retrospective recognition that her music was not the thing making them feel the way they were feeling, it always within.”
