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Definitely my typeface
Definitely my typeface
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Definitely my typeface
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22d
Definitely my typeface
Neue Gstaad – By Pangram Pangram Foundry
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Neue Gstaad is a contemporary type family shaped by a distinctly Swiss sense of refinement, calm, confidence, and precision. Designed by Ian Party, it moves beyond regional clichés to embrace a broader, more universal expression of Swiss design: one rooted in clarity, discretion, and quiet sophistication. Loosely inspired by typographic giants, Neue Gstaad interprets its references with restraint. Its structure unfolds across an ultra-versatile variable system, spanning from Compressed to Expanded, allowing for a fluid range of voices, from compact editorial settings to expansive, architectural compositions. Neue Gstaad evokes a sensibility rather than a location. It suggests altitude without excess, luxury without noise, a cultivated balance between tradition and modernity, discipline and openness. The family includes 112 styles, 7 subfamilies, and is built as a complete, future-facing typographic system. It is rich in OpenType features and supports a wide range of Latin-based languages. Rooted in heritage yet designed for the future, Neue Gstaad reflects Ian Party’s ongoing exploration of type as a living system. It is a rich and complex design distilled into an essential clarity, where simplicity emerges not from reduction, but from mastery. A new stage in the development of a complete variable ecosystem, Neue Gstaad embodies a singular idea: a quiet form of expression, shaped by precision.
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6
25d
Definitely my typeface
Farmacia – by Nguyen Gobber
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Farmacia is a condensed sans-serif typeface created for headlines, wordmarks, and bold statements. Its design features unique characteristics inspired by an old pharmacy sign in Basel. The typeface gains its character from formal peculiarities, such as the slightly bent posture of the C, the expressive upward diagonal of the K, and the sharp spikes of the M and W. Beyond the condensed letterforms, the type system also includes circular alternates for the C, G, O, and Q, enhancing contrast and rhythm in the typography.
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3
28d
Definitely my typeface
FK Grotesk – by Florian Karsten Typefaces
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FK Grotesk represents a rigid typeface with a mechanical appearance, suitable for both small text and large headlines. Subtle ink traps and sharp corners provide distinctive and eye-catching detail at large point sizes. The first version of FK Grotesk dates back to 2014. The typeface was persistently tested in various projects since then, and in 2018 eventually released as a first-ever FK typeface. Completely redrawn in 2021, it now ranges from thin to black weight and corresponding italic, semi-mono and mono styles (also available as a three-axis variable font).
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8
6w
Definitely my typeface
Typeface Rotina – by Sharp Type
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Rotina is a sturdy modernist sans with a playful secret. Built on the solid foundation of a novel and clean utilitarian neo-grotesque, Rotina is an aesthetically cohesive Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine.
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38
1
6w
Definitely my typeface
Typeface Timtam – by bb-bureau
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bb-bureau is a graphic design studio specializing in typography and set up by Benoît Bodhuin. He mainly works for cultural scene in many graphic areas — visual identities, signage, editorial or web design, posters… doing custom graphic and type design. Check out his other typefaces as well!
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3
7w
Definitely my typeface
Typeface Attila – by Kometa
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Historic types through a contemporary lens—Attila is an exploration of the tried-and-true models of the past and how to reinterpret them for the visual landscape of today. Standing proud and wide, with spacing tightened and terminals sharpened, Attila delivers a punch across eighteen styles. The inaugural design—defined by its striking, graphic presence—has been meticulously redrawn into nine weights and now expanded with complementary italics.
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3
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