A literary-cultural essay on Daniel Ciba’s “Blue Roses” and Tennessee Williams that examines what counts as evidence in queer literary history. The piece considers how archives preserve – and often fail to preserve – intimate lives, arguing that uncertainty, atmosphere, pattern, and implication can carry historical meaning without being mistaken for proof, and exploring the tension between archival rigor and the forms of knowledge queer history has often had to recover from incomplete records.
16 days ago