Wachs, by Christine Wunnicke
historical love story about two women who are both artists in 18th century France, each a bit stranger than the other. very funny and lovely, short & sweet
Piranesi, Susanna Clarke
What a peculiar little book. A man lives in a gigantic ruinous house - a kind of castle with grand halls and statues - where life is dominated by the tides of an ocean in the lower levels of the building. The protagonist is a kind man with almost child-like curiosity, he seems like a monk living with the utmost worship for this strange place. Like the house, the story unfolds like a labyrinth and as a reader you only slowly discover what exactly is going on. Best read in January by the sea.
Kamila Shamsie, Home Fire
One of my absolute favourites. A retelling of Antigone set in modern Great Britain about three siblings - a set of twins and their older sister - whose father was a jihadist. I found the classic themes of Antigone - struggles with family, duty, sacrifice - really well updated to reflect more contemporary struggles with identity, faith, as well as political issues like immigration and the toll it can take to be pulled into two different directions: tradition/modernity, fitting in/staying connected to your roots, conforming/preserving some form of inherited cultural identity. And yes, you obviously know how the story ends from the start, but the ending is still so heartwrenching. As we know from Fleabag, the greatest love stories are still between siblings ("the only person i'd run through an airport for is you" and such).
Ali Smith’s Seasonal Quartet
I have been a fan of Smith since reading "How to Be Both" and I am now three quarters through her beautiful Seasonal Quartet. I hardly know another author who writes about our contemporary times with such ease. i love how art is always present in her works and how her prose is playing sly tricks on the reader. she is sometimes so literal in her imagery that you can only think something is meant poetically or metaphorically, only to find out two sentences later how it was indeed meant literally.